Short CV/Education and training

  • 1994 – 1998
    Fellow of the École normale supérieure de Fontenay-Saint-Cloud

  • 1997
    Agrégation de lettres modernes

  • 2002
    PhD: "Les Livres d’airs de différents auteurs publiés chez les Ballard de 1658 à 1694: une musique de ruelles"

  • Since 2004
    Researcher at the National Center of Scientific Research (CESR, UMR 7323, France)

  • 2009 – 2011
    Co-leader of the ANR-DFG project MUSICI, 14 person team, at the École française de Rome and at the Deutsche Historische Institut in Rom, Italy (http://www.musici.eu)

  • 2009 – 2012
    Fellowship at the École française de Rome, Italy

  • 2016 – 2021
    Principal Investigator of an ERC Consolidator Grant (PERFORMART)

Selected publications

Books:

  • Paroles de musique (1658-1694). Catalogue des “Livres d’airs de différents auteurs” publiés chez Ballard, Sprimont, Mardaga, 2007.

  • Poésie, musique et sociabilité au XVIIe siècle. Les Livres d’airs de différents auteurs publiés chez Ballard (1658-1694), coll. “Lumière classique”, 55, Paris, Champion, 2004.

Edited volumes:

  • with G. Zur Nieden, Europäische Musiker in Venedig, Rom und Neapel (1650-1750) (=Analecta musicologica, vol. 52), Kassel, Bärenreiter, 2015.

  • with C. Giron-Panel, La Musique à Rome au XVIIe siècle. Études et perspectives de recherche, Rome, Publications de l’École française de Rome, 2012.

  • with L. Naudeix, La Fabrique des paroles de musique à l’âge classique, Wavre, Mardaga, coll. “Études du Centre de musique baroque de Versailles”, 2010.

Articles and book chapters:

  • “Les musiciens européens à Venise, à Rome et à Naples (1650-1750) : éléments pour une comparaison des mobilités musiciennes”, in A.-M. GOULET and G. ZUR NIEDEN (ed.), Europäische Musiker in Venedig, Rom und Neapel (1650-1750) (= Analecta musicologica, vol. 52), Kassel, Bärenreiter, 2015, p. 31-48.

  • “Marie-Anne et Louise-Angélique de La Trémoille, princesses étrangères à Rome. Choix culturels, artistiques et politiques”, in A.-M. GOULET and G. ZUR NIEDEN (ed.), Europäische Musiker in Venedig, Rom und Neapel (1650-1750) (= Analecta musicologica, vol. 52), Kassel, Bärenreiter, 2015, p. 377-396.

  • “The Princesse des Ursins, Loyal Subject of the King of France and Foreign Princess in Rome”, in R. AHRENDT, M. FERRAGUTO, and D. MAHIET (ed.), Music and Diplomacy from the Early Modern Era to the Present, New York, Palgrave Macmillan, 2014, p. 191-207.

  • “Costumes, décors et machines dans L’Arsate (1683) d’Alessandro Scarlatti. Contribution à l’histoire de l’opéra romain au XVIIe siècle”, Revue XVIIe siècle, 2014 (262), p. 139-166.

  • “Serious songs, musical practices and sociability in Paris at the end of the seventeenth century”, in S. BEGHEIN, B. BLONDÉ et E. SCHREURS (ed.), Music and the City. Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, c. 1650-1800, Leuven, Leuven University Press, 2013, p. 143-159.



Complete list of publications

Selected projects

  • Principal Investigator of an ERC Consolidator Grant (PERFORMART: Promoting, Patronising and Practising the Arts in Roman Aristocratic Families (1644-1740). The Contribution of Roman Family Archives to the History of Performing Arts), 2016 – 2021

  • Co-leader of the ANR-DFG project MUSICI (Musicisti europei a Venezia, Roma e Napoli [1650–1750]: Musica, identità delle nazioni e scambi culturali) at the École française de Rome and at the Deutsche Historische Institut in Rom, Italy (http://www.musici.eu), 2009 – 2011

Membership in scientific bodies/juries

  • Member of the Scientific Advisory Board for the ERC Starting Grant project “Manifestations of Solitude : Withdrawal and Engagement in the Long Seventeenth-Century” (P.I. : Mette Birkedal Bruun), Denmark, since 2012

  • Jury member for the Prix XVIIe siècle, since 2012

  • Consultant for an ANR-DFG project, Thesaurus Musicarum Germanicarum (TMG), 2012

  • Director of the series “Musique et Littérature” (Classiques Garnier), France, since 2010

  • Book reviewer for the Revue de musicologie, France, 2010

  • Member of the Editorial Board of the modern edition of 1220 arias published by Ballard (1658-1694), Centre de musique baroque de Versailles, France (http://philidor.cmbv.fr/ark:/13681/t75srpb2u5), since 2007

  • Expert for the publishing house Fayard, France, 2001

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