Dr. habil. Natascha Drubek, Freie Universität Berlin
Mark profile

Dr. habil. Natascha Drubek

Nominated by

  • German Research Foundation (DFG)
  • AcademiaNet member since 10.01.2017
  • AcademiaNet- Selection Criteria


Employed by

  • Freie Universität Berlin


Academic Discipline/Fields

  • Arts and humanities


Field

Arts, Humanities, Languages



Area of specialisation

Cultures, literatures, and media of Europe with special attention paid to Central and Eastern Europe



Research interests

  • Poetics and coding, name – gender – identity, ideology – historiography – canon, ethics in literary studies and cultural studies, Holocaust studies and Eastern Europe, literary pragmatics, editorial studies, media in religion and secularisation, the ends of empires and the start of the film era, film censorship, rhetoric and film propaganda, new waves in Eastern European film; What is open access? Theory and practice



Distinctions and Awards

  • Diane and Howard Wohl Fellowship Award at the Center for Advanced Holocaust Studies (United States Holocaust Memorial Museum), 2013 – 2014

  • "Slon" (Elephant) Award from the Russian Guild of Film Critics and Scholars, Kinovedenie i kinokritika v elektronnykh SMI, novye tekhnologii – (awarded to N. Drubek and N. Izvolov for their Hyperkino method of producing critical editions of films), 2010

  • "DVD Awards 2010, VII edition. Best Special Features (Bonus)" at the archival film festival Il Cinema Ritrovato (Cinema Rediscovered), Bologna, for 3 Hyperkino DVDs produced by Ruscico (Moscow), "for their innovative handling of printed and illustrated commentaries", 2010



Interested in

  • Lectures, Membership in scientific bodies, Professorship
  • My teaching at FU


Languages

Czech, English, German, Latin, Russian



Doctorate

  • 1998: Gogol’s eloquentia corporis. Einverleibung, Identität und die Grenzen der Figuration ("Gogol’s eloquentia corporis. Incorporation, identity, and the limitations of figuration")


PostDoc qualification, e.g. Habilitation

  • 2007: Russisches Licht. Von der Ikone zum frühen sowjetischen Kino ("Russian light. From icons to early Soviet cinema")




Short CV/Education and training

  • 1998
    Doctorate in Slavonic studies and Eastern European history in Munich, Germany

  • 2006 – 2009
    Marie Curie Fellow (Senior Researcher) at the Film and Tv School of Academy of Performing Arts (FAMU), Prague, Czech Republic

  • 2009 – 2015
    Heisenberg Fellowship from the German Research Foundation (DFG) at the University of Regensburg, Germany

Selected publications

  • Ėjzenštejns Pathos: Verweltlichtes Wunder und ekstatische Dialektik, in: R. Nicolosi / T. Zimmermann (eds.): Ethos und Pathos der Medien.Wirkungsästhetische Strategien zwischen Rhetorik und Politik im 20. Jahrhundert, Konstanz 2016.

  • Rhetorische Evidentia in der der frühen sowjetischen Filmchronik: Vskrytie moščej Sergija Radonežskogo (1919), in: S. Frank / S. Schahadat (eds.): "Evidenz und Zeugenschaft: Poetische und Mediale Strategien im Umgang mit dem Unzugänglichen", festschrift for Renate Lachmann (Wiener Slawistischer Almanach 69) Vienna 2012

  • The Timing of Russian Film Premieres in 2010/11: Sacralizing National History and Nationalizing Religion in Russia, in: L. Berezhnaya / Chr. Schmitt: Iconic Turns. Nation and Religion in Eastern European Cinema since 1989, Leiden 2013, 81-98.

  • Ghettoisierte Sprachen: Die tschechisch-deutsche "Zwangsgemeinschaft" der Juden von Theresienstadt, in: K. Smola, O. Terpitz (eds.): Jüdische Räume und Topographien in Ost(mittel)europa. Konstruktionen in Literatur und Kultur, Wiesbaden 2014

  • (with N. Izvolov) Textkritische Editionen von Filmen auf DVD. Ein Diskussionsbeitrag. In: montage a/v. Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation, 16/1/2007.

Editorships

  • (tog. with Ju. Murašov) Rhapsodie und Apparatur. Die Filme des Dziga Vertov. Frankfurt a.M. 1999 and in Das Zeit-Bild im osteuropäischen Film nach 1945. Cologne-Weimar 2010

  • (tog. with P. Kosta, H. Meyer), Juden und Judentum in Literatur und Film des slavischen Sprachraums. Die geniale Epoche. Wiesbaden 1999.



Complete list of publications

Selected projects

  • Marie Curie Fellow at the Film and Tv School of Academy of Performing Arts (FAMU), Prague, Czech Republic

    (Development of the film annotation method Hyperkino.org), 2006 – 2009

  • Marie Curie Senior Researcher at FAMU, Prague: Development of the film annotation method Hyperkino: www.hyperkino.org, 2006 – 2008

  • Co-editor of the series "osteuropa medial" published by Böhlau Verlag (with Georg Witte and Jurij Murašov)

  • Database: Film and religion in the Russian Empire and in the USSR

    http://filmdb.ios-regensburg.de/filmdbview.php?ID=226

  • Organisation of an international conference on film produced in the ghetto of Terezín:

    http://www.terezin2014.com/en/program-2/

  • Editor of the Open Access journal "Apparatus": Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe

    http://www.apparatusjournal.org/

Membership in scientific bodies/juries

  • Jury member for Fedeora (Federation of Film Critics of Europe and the Mediterranean), 2014

  • Jury member for the "East of the West" section of the Karlovy Vary International Film Festival, 2012

Additional qualifications

  • Editor and publisher of print and online publications, since 1990

  • Film critic


Soft Skills/Other activities and achievements

Additional interests

  • Networking in Open Access publishing (journals); work-life balance


Soft Skills

  • I enjoy working as part of a team.


Other activities and achievements/family

  • Two daughters: Nina (1995) and Marie (1998)


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