Prof. Dr. Gabriele Brandstetter
Arts, Theatre and dance studies
Arts
Theatre and Media Studies
Global Performance and Popular Cultures
History of Theatre Aesthetics and Media
Stagings of the Political/Chorus
Theories of Performativity
Postcolonial Critique and Intersectionality
English, German, Spanish
Volksschule des Theaters. Nationalsozialistische Massenspiele (München 2018: Fink)
„kollektiv auftreten“. Forum Modernes Theater 2017 (ed.)
„Volksfiguren“. Maske & Kothurn 2/2014 (published: 4/2016, ed.)
„Nationalsozialismus und Geschlecht: Räume – Selbstzeugnisse – Erinnerungspolitiken“ (ed.ed w. Gabriele Jähnert and Sabine Kalff). Feministische Studien 2/2015, 195 S.
Stagings Made in Namibia. Postkoloniale Fotografie. Berlin 2009: b_books (catalogue)
Elfriede Jelinek – Theater des Nachlebens. München 2005: Fink (2nd. ed. 2007)
Research Project: Between Marking and Masking, International Research Centre Interweaving Performance Cultures, 2016 – 2017
Research Project: The Chorus in Thingplays, German Research Foundation, 2008 – 2015
Exhibition Project: Stagings Made in Namibia (Berlin/Windhoek), Berlin Cultural Fund, 2008 – 2009
Deutscher Hochschulverband
German Studies Association
International Federation of Theatre Research
Performance Studies International
Theaterwissenschaftliche Gesellschaft
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Arts, Theatre and dance studies
Arts, Composer, writer and broadcaster; performance: piano, viola, spoken voice; music
Arts, Art history
Social and behavioural sciences, Languages, Journalism and information, Arts, Edition and the process of writing, German Literature (18th century to 21th century), General and Comparative Literature, Culture - Literature - (Inter-) mediality