Prof. Elisabeth Dutton

• 1994
  University of Oxford, MA
  
  

• 2002
  University of Oxford, DPhil
  
  

• 2002
  Lecturer in Medieval English, Magdalen College, Oxford
  
  

• 2005
  Fellow of Worcester College, Oxford
  
  

• 2011
  Professor of Medieval English, University of Fribourg, Switzerland
  
  

• Elisabeth Dutton, and James McBain (eds), Drama and Pedagogy in Medieval and Early Modern England, Swiss Papers in English Language and Literature vol. 31 (Tübingen, Narr, 2015)

• John Gower: Trilingual Poet, ed. Elisabeth Dutton, with John Hines and R.F. Yeager (Cambridge, 2010)

• Julian of Norwich: the Influence of Late-Medieval Devotional Compilations (Cambridge, 2008).

• Julian of Norwich’s Revelation of Love, edited by Elisabeth Dutton (Yale, 2008)

• Hadewijch: Writer, Beguine and Love-Mystic (Leuven: Peeters, 2004) Paul Mommaers, with Elisabeth Dutton.

Articles on medieval drama and medieval texts, including:

• 'A neglected witness to Chaucer's Boece in a medieval devotional commentary on The Consolation of Philosophy', in Carmina Philosophiae: Journal of the International Boethius Society (2015) 1-34

• Elisabeth Dutton and Stephanie Allen, 'Seeing and Recognizing in the Sacred and New: The Latin Scriptural Plays of Nicholas Grimald', in Staging Scripture, Biblical Drama 1350-1600 eds. Peter Happé and Wim Hüskin (Leiden, 2015) 204-34

• 'John Heywood, Henry, and Hampton Court Palace', in Performing Environments: Site Specificity in Medieval & Early Modern English Drama, ed. Susan Bennett and Mary Polito (Basingstoke, 2014) 36-55

• 'The Croxton Play of the Sacrament,' The Oxford Handbook of Tudor Drama, eds. Tom Betteridge and Greg Walker (Oxford, 2012) 55-71

• 'Secular Medieval Drama', The Oxford Handbook to Medieval Literature, eds. Elaine Treharne and Greg Walker (Oxford, 2010) 384-94

• Medieval Convent Drama, SNF-Funded project with Olivia Robinson (CI) and Matthew Cheung-Salisbury, 2016 – 2019

• Early Drama at Oxford, SNF-Funded project, 2014 – 2017

• Performing Dido, funded by the British Academy, 2013

• John Bale's Three Laws at Oxford, funded by John Fell Fund, 2012

• Magnyfycence at Hampton Court, funded by Foundation for Sports and the Arts, Historic Royal Palaces, Feilden Clegg Bradley Studios, 2010

• The Faerie Queene Now! AHRC Funded project with Simon Palfrey and Ewan Fernie, 2009 – 2010

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