Prof. Maria Maślanka-Soro PhD

• 2014
  The title of Professor, thesis: The Return of Melpomene. Italian Tragedy form the Medieval Rebirth to the Renaissance Acme
  
  

• 1998
  Research stay in Rome
  
  

• 1992
  M.A. in Lettere, Università Cattolica di Milano
  
  

• 1990
  Ph. D., Jagiellonian University
  
  

• 1986
  M.A. in Italian Language and Literature, Jagiellonian University
  
  

• 1982
  M.A. in Classics, Jagiellonian University (after three years of studies in the Jagiellonian University and 2 years in the University of Nancy II, France)
  
  

• The Concept of Sophia in Euripides’ Medea, “Eos” LXXXIV, 2 (1996), pp. 253-259.

• Les formes dramatiques et théâtrales dans La Divine Comédie de Dante, "European Medieval Drama" 14 (2010), pp. 121-135.

• Il tragico nella tragedia antica e nella tragedia italiana del Cinquecento [The tragic in the Italian tragedy of the Cinquecento in the light of the classical tradition], “Rivista di Letteratura Italiana” XXXI, 3 (2013) pp. 27-46.

• Tra l’otium e il negotium: ideale umano nello specchio letterario dell’Umanesimo italiano, in: Vita pubblica e vita privata nel Rinascimento, a cura di L. Secchi Tarugi, Firenze, Cesati, 2010, pp. 631-644.

• Antyczna tradycja epicka u Dantego [Ancient Epic Tradition in Dante], Kraków, Księgarnia Akademicka, 2015, pp. 494.

• La fatalità del destino e la virtù umana nel Re Torrismondo di Torquato Tasso [Inevitability of fate and human virtue in the "Re Torrismondo" of Torquato Tasso], “Rivista di Letteratura Italiana” XXXIII, 3 (2015), pp. 21-33.

• “Una beffa [...] fatta da una donna a uno solenne religioso” ovvero l’arte di manipolare la realtà con parole ed emozioni (Dec. III 3) ["Una beffa [...] fatta da una donna a uno solenne religioso" : the art of verbal and emotional manipulation in "The Decameron" III 3], “Studia Romanica Posnaniensia” 45/1, 2018, s. 31-43.

• La teatralità del disumanar nell’ Inferno dantesco sullo sfondo della „vocazione drammatica” di Dante [The theatricality of "disumanar" in "Inferno" on the background of Dante's "dramatic vocation"], "Dante e l’Arte” 1 (2014), pp. 11-30 (http://revistes.uab.cat/dea/article/view/v1-maslanka-soro).

• Dante's Polemical Dialogue in the Divine Comedy with Classical Epic Poetry: Selected Examples, in: I luoghi nostri: Dante's natural and cultural spaces', ed. by A. Kablitz & Z. Barański, Tallinn, Tallinn University Press, 2015, pp. 235-256.

• Reinterpretando Ovidio: forma e materia nelle metamorfosi dantesche nella "Commedia" [Reinterpreting Ovid: form and matter in metamorphoses in Dante's "Comedy"], in: Miti, figure, metamorfosi : L'Ovidio di Dante, a cura di C. Cattermole, M. Ciccuto, Firenze, Le Lettere, 2019, pp. 49-66.

• Traduire l’émotion

• Sophocles and his Theatre

• Tragedy in Dante Comedy

• Ancient Epic Tradition in Dante

• Italian Neolatin Literature in Poland (15th – 18th century)

• Polish edition of Petrarca Secretum

• Member (correspondent) of the Polish Academy of Arts and Sciences), since 2018

• Member of the Società Dantesca Italiana (SDI), since 2017

• Member of the Société Internationale pour l’Étude du Théâtre Médiéval ( S.I.T.M), since 2007

• Member of the Collegium of Hermeneutic Research in Carla Rossi Academy, Tuscany, since 2007

• Member of the Scientific Committee of the Journal “Studi sul Settecento e l’Ottocento”

• Member of the Scientific Committee of the Journal “Dante e l’Arte”

• Member of the Scientific Committee of the Journal “Revue des Études Dantesques”

• Member of the Scientific Committee of the Journal “Rivista Internazionale di Ricerche Dantesche”

• Member of the Scientific Committee of the Journal “Rivista di Letteratura Tardogotica e Quattrocentesca”

• Member of the Scientific Committee of the Journal “Letteratura Italiana Antica”

• Member of the Scientific Committee of the Journal “Una/Koiné”. Rivista di Studi sul classico e sulla sua moderna Rezeption nella letteratura italiana contemporanea

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